Chad & Dave are once again ready with a new single and this would number 2 on Flashover. They have once again joined forces, with partner in crime and countryman, Christina Soto whom delivers the vocals. On this single you will find remix from 2 new Flashover producer profiles, Treadstone and JL Aleph thus an 'Air Up There' version by the boys.
Original Mix / Original Dub
This intro is heavily spiced with percussion elements, that are all shaped and equalized and fits in perfectly. The bassline, the melodies and vocal bits are making an appearence before a short break were the bassline, on its own, creates a good atmosphere. In the following stage we get the full package; the vocals and the grand melodies in full. The vocals are especially good - they aren't as cliché as vocal tend to be in the trance genre, and are somewhat fresh and playful. Great structure, great balance, great vocals and great melodies. What more can you ask for? Head straight for the vocal version!
'Air Up There' Remix
'Air Up There' has become Chad & Dave's 'uplifting' trademark and it is a project that gives them the oppurtunity to fullfil their singles by themselves and create an alternative to their own originals. This is therefore a more pumped up version with a heavier kick, brighter melodies with a trance boost and some sizzling bassline hooks.
Treadstone Dub Remix
This version starts off well, with some a great drum arrangement thus a little bit special and escalading build-up, which slowly works towards a nu-school progressive house themed peak. The peak consists of this massive riff with a big room vibe, which is followed by some banging drums.
JL Aleph Remix
The last version is very much in the same groove as the original. The same chord progressions with some alterations in the synth setup. The tempo has been drawn down a few notches, to possibly aim for the more house oriented segment. The percussion has also been given a makeover.
Verdict
What is most remarkable about this single, is that this is a big step forward in Tritonal's developement as producers. Their sense of detail feels better and the track feels fresh og exciting. Christina Soto also deserves a bit of the honour here for delivering her best vocals to date. As mentioned earlier, the lyrics breaks out from the usual and the trance clichés. The 'Air Up There' version does what it is supposed to and creates a good euforic atmosphere, but it does not possess the same unique qualities as the original. JL Aleph does not add anything groundbreaking to the track, but on the other hand he does not ruin it either in any way. Treadstone's version has that booming progressive house sound and with an impressive amount of energy in the center and a slight techy theme which makes it ideal for club use.
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