Richard Durand - Sweep & Repeat
Posted: Thu Sep 06, 2007 1:35 am[align=center]
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The man that can returns with another fine instalment, that's already receiving a hammering from Sander Van Doorn.
Serving up a sublime peak time slice of tech infused dance, you've got a brilliant driving groove behind the track that utilises a electro styled bassline to carry the flow really along. Added glitchy synth stabs really make the flow start to change and pulse through your body. A dark breakdown really hits the spot with a nice buildup and vocal that sits in the depths of the arrangement for extra effect.
The track has a pure dance feeling to it, not just banging beats or bosh, but a far more developed content dancefloor mix. As usual the high tech trance production skills of Durand really stand out with a cutting edge piece of dance. For the sound of now, this track has it all.
The 2 versions available on the release are very similar, with Top Draw Mix being slightly more melodic and less techier than Original
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Tracklist
---------
1. (7:50)
2. (7:53)
[/align]
The man that can returns with another fine instalment, that's already receiving a hammering from Sander Van Doorn.
Serving up a sublime peak time slice of tech infused dance, you've got a brilliant driving groove behind the track that utilises a electro styled bassline to carry the flow really along. Added glitchy synth stabs really make the flow start to change and pulse through your body. A dark breakdown really hits the spot with a nice buildup and vocal that sits in the depths of the arrangement for extra effect.
The track has a pure dance feeling to it, not just banging beats or bosh, but a far more developed content dancefloor mix. As usual the high tech trance production skills of Durand really stand out with a cutting edge piece of dance. For the sound of now, this track has it all.
The 2 versions available on the release are very similar, with Top Draw Mix being slightly more melodic and less techier than Original
[align=center][/align]
Tracklist
---------
1. (7:50)
2. (7:53)