[/align]One of Paul Van Dyk's most successful tracks of his last album In Between, Let Go gets a release on PVD's own Label, Vandit.
The track combines what is called "Rock & Rave" to create its very own unique sound. It also features lovely male vocals by Rea Gravey and has been receiving much appreciation by fans all over the world!
PVD goes on further to the remixing duty, and presents Vandit Club Remix. I remember this distinctively being played in Beirut on his last gig, because the use of strings and elements reminded me much of Life Less Ordinary. Track shifts to the bit darker side with much use of tech elements and electric vibes. Main melody and vocals remain intact,
making the track very suitable for the lovers of the Original, as well as those who wanna have a good rave!
Again the man himself presents his own Club Mix. Track features, mainly, heavier beats and a faster pace. Except the use of strings, nothing much is added, making this remix closer to the Original than the previous one.
And then.. Martin Roth welcomes you to his very own NU dark side..
Track opens up with a catchy twirly simple melody, that slowly hooks up with a dark bassline! Vocals are added, but i have no idea why they sound MUCH darker and edgier in here!
Track keeps on progressively moving forward as it catches more depth and that Sick Haunting feeling, till it reaches a rather long, vocaly breakdown at 3:42..
But that's just the very beginning of the story, where tracks rapidly builds up afterwards and kicks back in again, darker and sicker than ever! High pitched vocals are geniusly inserted at this part, making this one of the best stuff i ever heard!
Just listen well to the music after vocals stop, and you'd understand why many people, including myself, call Martin Roth a God!
Track gets another shorter breakdown before it wraps itself up as neatly as it emerged!
Sheer Brilliance!!
Finally, TV Rock, a hot duo all the way from Australia, present their own Electro- ish version of the track, which i found to be pretty catchy, and would sure make perfect material to be played much in pubs and clubs. I really liked the use of guitar in the breakdown that lasts till end of track.
Conclusion? Martin Roth:
Tracklist
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1. (3:19)
2. (9:20)
3. (8:15)
4. (9:58 )
5. (7:46)
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