Biography: The Prodigy

[A-Cube]

The most successful holdover from the early-'90s rave/hardcore scene, the Prodigy initially scored with the 1991 U.K. hit "Charly" and became one of the decade's best-selling dance acts with a string of hit singles. Organized and fronted by Liam Howlett, the group also recorded acclaimed album works and toured the LPs with a stunning live show, which approximated the incendiary spirit of a rave better than any techno act.

Howlett (b. 1971), the prodigy behind the group's name, was classically trained on the piano while growing up in Braintree, Essex. Later, he began listening to rap and DJed with the hip-hop act Cut to Kill before moving on to acid-house in the late '80s. His first production, the EP What Evil Lurks, became a major mover on the fledgling rave scene. After Howlett met up with dancers Keith Flint and Leeroy Thornhill (both Essex natives as well), the trio formed the Prodigy in late 1990. The group gained a contract with XL Records and re-released What Evil Lurks in February 1991.

Six months later, Howlett issued his second single "Charly," built around a sample from a children's public-service announcement. It hit number one on the British dance charts, and then crossed over to the pop charts, stalling only at number three. "Charly" also spawned the copycat craze that launched the Smart E's "Sesame Street," one of the first rave singles to chart in America. Two additional Prodigy singles, "Everybody in the Place" and "Fire/Jericho," charted in the U.K. during late 1991 and early 1992.

The Prodigy showed they were no one-anthem wonders in September 1992, when the group released one of the first LPs by a rave act. The Prodigy Experience appeared on XL in Great Britain and Elektra in America, fluidly mixing previous material with future singles ("Out of Space," "Wind It Up"); it proved a major hit. During 1993, Howlett added a ragga/hip-hop MC named Maxim Reality (Keeti Palmer) and occupied himself with remix work for Front 242, Jesus Jones and Art of Noise. Howlett also released two white-label singles ("Earthbound, Vols. 1 & 2") to fool image-conscious DJs who had written off the Prodigy as hopelessly commercial. Late 1993 brought the new single "One Love" and, early the following year, "No Good (Start the Dance)."

The double-album Music for the Jilted Generation, released in July 1994, was an us-against-them statement in opposition to the 1994 Criminal Justice Bill -- the act that gave British police greater power to stop raves and prosecute their promoters and attenders. The album also continued the Prodigy's allegiance to breakbeat drum 'n bass; the style had only recently become commercially viable, but Howlett had incorporated it virtually from the beginning of his career. The non-album single "Firestarter," released in 1996, became the Prodigy's biggest hit in the U.S. and its video earned a spot on MTV's Buzz Bin. A second 1996 single, "Breathe," hit number one on half a dozen European countries' pop charts.

The Prodigy's incessant road schedule left little time to record, but Howlett managed to bring out the next new Prodigy single in March 1996. "Firestarter" entered the British charts at number one, though the video was almost banned due to complaints about arson fixation; many Top of the Pops viewers also complained that Keith Flint had scared their children. An unmissable guitar hook and Flint's catcall vocal antics -- his first on record -- made it a quick worldwide hit and though "Firestarter" wasn't a major success in the U.S., its high-profile spot in MTV's Buzz Bin introduced the Prodigy to many Americans and helped fuel the major-label push for electronica during the following year (though the Prodigy did reject collaborative offers from David Bowie, U2 and Madonna). In the middle of the electronica buzz, the Prodigy dropped their third album, The Fat of the Land. Despite rather obvious attempts to court mainstream rock fans (including several guest-vocalist spots and an L7 cover), the LP entered both British and American charts at number one, shifting several million units worldwide. The next Prodigy full-length was 1999's The Dirtchamber Sessions, a mix album helmed by Howlett.

The "Baby's Got a Temper" single -- one Howlett would later disown -- appeared in 2002 and soon after Leeroy Thornhill left the band. Maxim and Keith Flint were still in the band but they weren't to be found on 2004's Always Outnumbered, Never Outgunned. Instead the album featured guest spots from Oasis' Liam Gallagher, Kool Keith, Twista, and actress Juliette Lewis. Flint and Maxim did join Howlett for a worldwide tour to support the album that launched in October 2004. A year later Their Law: Singles compiled the big hits.

[Proof]

Liam Howlett owns me ... seriously. Mentor / Source of Inspiration / Daddy ...

Anyway, Its quite funny how they actually got together. One of the members asked Liam to mix a track on a side of the tape ... and on the other side, Liam just dumped his stuff. They listened to side B and were hooked ... lol.

Heard Liam and the rest are working on some new material for the new album! Excited!!

[Immy]

Long Live the Good Ol Rave!! charly' greatest Rave Anthem Ever Made?

Charly says always tell your Mummy before you go out somewhere"