by System.S » Sat Feb 11, 2006 1:09 pm
Euro Trance
A central, neutral form of trance which is probably the simplest to understand. Euro trance is often very uplifting, it is usually around 140 - 145 bpm and has a lot of big rifts. The bass is generally quite heavy and it will often have a female vocal. Due to the big rifts, breakdowns and vocals this style of trance can also be referred to as commercial trance. This form of trance definitely falls into the instant "feel good" category - for many trance-heads, this is how it all started. Currently much harder edged Euro Trance is being referred to as "Hard Trance", in many ways it is similar to Euro, with big, but usually not so "euphoric", rifts and a bit faster, usually around 145 - 150 bpm, often using acid lines.
Goa Trance
Goa trance is form of electronic music and is a style of trance music which originated in the Indian region of Goa. The music has its roots in the popularity of the Goa region in the late 1960's and early 1970's as a hippie mecca, although the actual Goa trance style would not appear until much later. As the tourist influx tapered off in the 1970's and 1980's, a core group remained in Goa, concentrating on improvements in music along with other activities such as yoga, recreational drug use, and various New Age pursuits.
The introduction of techno style and technique to Goa led to what would eventually become the Goa trance style; early pioneers included Goa Gil and Mark Allen. Many "parties" (similar to raves) in Goa revolve entirely around this genre of music; Goa is also often played in other countries at raves, festivals and parties often in conjunction with other styles of trance and techno.
Goa is essentially "dance-trance" music (and was referred to as "Trance Dance" in its formative years), and as such has an energetic beat, almost always at 4/4 and often going into 16th or 32nd notes. A typical number will generally build up to a much more energetic movement in the second half of the track, and then taper off fairly quickly toward the end. Generally 8-12 minutes long, Goa tracks usually have a noticeably stronger bassline than other trance music and incorporate more organic "squelchy" sounds.
Goa trance parties have a visual aspect as well, the use of "fluoro" (fluorescent paint) is common in clothing and decoration. The images are often associate with topics like aliens, hinduism and other religious (especially eastern) images, mushrooms (and other psychedelic imagery), shamanism and technology. Goa trance has a significant following in Israel, brought to that country by former soldiers returning from recreational "post-army trips" to Goa. A great deal of Goa trance is now produced in Israel, but its production and consumption is a global phenomenon.
Goa Trance effectively morphed into psychedelic trance during the latter half of the 1990's. Both styles are generally non-commercial and underground compared to other forms of trance. The goa sound is more likely to be heard at outdoor parties and festivals than in clubs and places like Ibiza. For a short period in the mid-'90's it enjoyed significant commercial success with support from DJ's like Paul Oakenfold. The artist man with no name probably came the closest to being a goa trance "star".
Psychedelic Trance
Psychedelic trance (often referred to as psy trance) is a form of trance music, developed in the late 1990's. Trance has a fast beat, in the range 125 to 150 beats per minute (bpm), compared to ambient trance music and other forms like house and techno. It has a strong bass sound that beats continuously without change and is overlaid by many other rhythms. This type of trance is popular in the UK, but is a truly global phenomenon, and interestingly there is an underrepresentation of American artists, although Israeli artists are well represented. As of 2002 many Japanese artists have started to take in this genre from the influence of UK DJ's.
The club and dance scenes worldwide have been using psychedelic trance in performances along with Goa trance, ambient trance, progressive trance, and minimalist trance. The mixture of Goa and psychedelic trance music is the popular kind of trance performance to many trance listeners. Psychedelic trance can be considered an offshoot of Goa trance. Popular artists that make psychedelic trance include Astral Projection, Space Tribe, Infected Mushroom, Atmos, Total Eclipse, Cosmosis and Simon Posford. Psychedelic trance is often played at outdoor festivals. People at these festivals sometimes consume psychedelic drugs like LSD, ecstasy and psychedelic mushrooms. The festivals often take place over a few days with music being played 24 hours a day.
Ambient Trance
The precursor to Progressive Trance, Ambient Trance is a dreamy, hypnotic and intelligent style of trance, mostly German, that utilizes atmospheric pads, epic melodic progressions and occasionally symphonic arrangements. It is not to be confused with commercial, mainstream trance from artists such as ATB or Darude. At times borrowing elements from the earlier acid movement, such as rezzy 303 leads and minimal percussion, but based more on the spiritual experience that Goa Trance has since trademarked, Ambient Trance is an often-forgotten but extremely influential style that took rave music to a higher and more profound level. Sometimes called "Oldschool Trance" because it has since been left behind for the harder styles popular today.
Ambient Trance is not as much a specific genre as it is a period in the history of dance music's most notorious style. When The Orb and other early dance pioneers were mixing ambient records with current club-oriented sounds, many producers and DJs in the UK and Germany began taking notice. As early as 1990, German musician Harald Bluechel (aka Cosmic Baby) was experimenting with classical piano and synthesizer melodies contrasted against techno rhythms, and in 1993 released one of the most popular trance songs of all time, "Cafe del Mar" (under the pseudonym Energy 52) which is still being remixed today.
Perhaps the most prolific figure in trance, then and now, is Oliver Lieb. Recording under the aliases Paragliders, The Ambush, Spicelab and LSG, Lieb remixed almost every trance producer of note during the 90's and continues to do so today. His albums spanned entire genres, from tribal, ethnic fusion to spacey trance to rough and tough techno. Considered by many to be one of the gods of trance alongside Paul van Dyk, Lieb was a huge reason why the style remained powerful and important in dance cultures around the world.
As with all styles, Ambient Trance eventually morphed into something different and by the mid 90's, it was almost entirely abandoned for harder and more progressive sounds. However, a few producers of that time still remain today producing intelligent trance, among them Humate, Salt Tank, Lieb and Paul van Dyk, albeit in a more modern setting. But most fans of dance music will fondly remember the early and mid-90's as the "good old days" of trance, with some of the most beautiful and profound tracks produced during this time.
Progressive Trance
This trance is generally more laid back than Euro, it tends to be a lot deeper and has a less commercial edge. It is also usually slower (130 - 140 bpm) and has a wider variety of sounds - many progressive tunes use a lot of tribal techno and breakbeat sounds. The rifts in progressive music are much more subtle than that of Euro and never as uplifting. Progressive music relies more on subtle builds and drops guided by the DJ throughout the night, whereas Euro builds and drops in each individual tune. Recently much progressive trance has moved towards deep tribal sounds and breaks. This is often referred to as "progressive house".
Hard Trance
Hard Trance, as the title suggests, blends traditional trance sounds and structure with harder elements more reminiscent of Acid and Techno. The tempo is generally increased to between 145 and 155 and the kick drum and bass is usually a focus for a clubbing audience.
Resources and facts:
The big book of Music
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